Just the art facts, ma’am

I thought one of the benefits of selling a manuscript through a contest was that the manuscript had sold based on the story itself. I was patting myself on the back for not having to write the dreaded query letter.

Ha.

If you publish traditionally, you still have to explain the story to the people who are going to sell it. The people who design the cover need to know what themes are in the story. The distributors want to know what angles the story has that makes it stand out from all the other books that are coming out that month. The reviewers need to know why anyone should pick it up and read it in the first place. Your story, your word baby that you labored over with sweat and prayers, is special to you. Why should anyone else care? Well, it’s your job to tell them. Or, in this case, my job.

On the plus side, this is an opportunity for me to influence the process. For example, for the cover I was asked to write a brief description of three different scenes: the mood, the setting, how the characters were dressed and how I pictured them. I hear stories about other publishers, about authors who feel like they have no say in what the final product will look like. I think it reflects well on Harlequin that they ask for input.

Screen Shot 2017-04-10 at 5.00.36 PM

 

I love Pinterest. I don’t know what authors did before the Internet. I can just point and say “There. That’s what Matthew looks like. That’s Liza’s claim. There’s Elijah, looking adorable.”

I still hate writing blurbs. And synopses. And catchy catch phrases. These are skills that I need to work on. But I’m getting better!

 

Metaphor soup, or thoughts about revising a story

el capitan
El Capitan
When I first looked at the list of all the things I needed to revise in this manuscript, I was daunted. The list of fixes loomed before me like an impenetrable barrier, a huge wall blocking my way forward.

Now that I’ve been chipping away at the revisions, it’s starting to feel a lot more doable. I’ve cut it down to size. Or gotten my head in the game. Not sure what metaphor fits here, but I don’t want to revise this paragraph again. I need to get back to the manuscript.

el_capitan_-_the_nose
These guys are either thinking “Wow! Isn’t it cool we’ve come this far!” or Helllllllp!

One really great thing that I’ve found while doing these revisions is this: I’ve found my way back to the initial seed-idea that started me writing it, the thing that I found intriguing enough to start pounding the keyboard in the first place. I’m finding ways to layer that original idea back into the story. It had gotten buried in all the different character arcs.
Now that I’ve cleared out the undergrowth somewhat, I can see it again. (Yes, I know, another metaphor thrown into the soup.Maybe it’ll add flavor.)

It’s a lot of work, but it feels like I’m getting somewhere.